I am getting ready to teach a two-day monotype workshop this weekend.  I have five students so it will be a nice small group, leaving me plenty of time to really help each person and maybe even pull a few prints myself.  I’ve taken dozens of workshops over the years along with leading workshops in a variety of subjects, and it occurred to me that there is an unspoken set of rules that apply to workshops that is seldom talked about.  So here’s what I think is important to keep in mind if you are taking a workshop, chime in if you think of one I miss.

1. Be on time, even 10 minutes early, but don’t be late.  Nothing is worse for me than feeling like that last student or two will walk in the door any minute, so I’ll hold off on starting. At some point I have to weigh starting without someone and wasting the time of the students who were on time.  Plus, once I am in the groove it’s hard to go back and catch someone up.

2. Don’t show up too early and expect to have the instructors undivided attention. This happens fairly often for me. I have students that show up 45 minutes before the start of the workshop, excited to start the workshop, filled with enthusiasm and I really appreciate the positivity. But honestly, I am trying to get everything in it’s place so that I can effectively teach and students have everything that they need to have a successful first day.  As much as I’d love to sit and chat, I can’t.

3. Be prepared to share.  In a workshop situation, I supply a generous quantity of what I think students will need and want but I don’t always have enough on hand for everyone to have one of everything.  Usually people end up sharing and while it’s not always a problem, if you are used to having something all to yourself, bring it. And if you have something that you’d like to share with others, you’ll earn the appreciation of your fellow students.

4. Be tolerant of other personalities. Every once in a while, someone comes to class and they don’t want to play nice. Whether they are pushy, bossy, politically incorrect or a slob, sometimes you have to look the other way. As an instructor, I try to deal with the offenders quietly and privately to see if I can moderate their behavior, for instance pointing out that their stuff is crowding someone else’s workspace. Grin and bear it if you can.

5. Label your personal things. I hate at the end of the workshop trying to figure out which brayer is mine and which is yours, and it happens more than you think. So mark your tools like scissors, brushes, x-actos and anything else that you bring so that we can tell them apart at the end of the workshop.

6. Avoid controversial topics. Try not to bring up issues that are controversial like politics and religion. While I find that most people that take workshops are open minded and well informed, you never know when someone in the room really believes that they were abducted by aliens, and they have the marks to prove it.  I am not saying be fake, just bear in mind that it can make it awkward to have these conversations go awry. And for the record, I neither believe nor disbelieve in alien abduction, just in case someone who took a ride on a space ship wants to take my workshops. wink.

7. Clean up after yourself. I know, this seems really silly to have to mention this to adults but it’s true.  Enough said.

Those are the things that I think a workshop participant should keep in mind when they take a workshop. I really love teaching workshops. I have developed friendships with many people who have taken my classes over the years. Teaching helps me be a better artist too, watching people create and solve problems, and as the Chinese proverb so wisely states, “When one teaches, two learn.”


I just got back from five days in Santa Fe and I am spent. In the best possible sense. I am wore out emotionally, physically and mentally. I feel great.

I was in Santa Fe to help Paula Roland shoot her upcoming DVD about encaustic monotype. She invited me to come out and be her assistant, to help give input, ideas and overall support.  Our mutual good friend Jane Guthridge from Denver was there to help as well, and the three of us spent day and night together. We stayed at Paula’s house with her adorable dog Lefty and stayed up late, got up early, ate and drank, talked about art and told life stories.

Getting away is a much needed break for me. I need it visually, creatively and spiritually. I need some time with my tribe, creatives who walk the same road as I do. I need to get away and see new things and some familiar things too. While I was there, the trees started to bloom and spring was arriving in tulips and forsythia. Time in Santa Fe is like hitting an internal reset button. Even though we worked, the time spent there worked me too.

Jane and I were able to take a few trips around Santa Fe when we weren’t needed on the shoot. We made a quick hike up Canyon Road, spent an afternoon in the Railyard and made a trip to Santa Fe Clay.  We got lost quite a bit, driving in circles on Paseo de Peralta, eventually getting where we needed to go. We saw the shows at the International Folk Art Museum and enjoyed the textile and dress show on clothing from around the world. We had dinner with our friends Barbara Gagel and Linda Cordell and visited Barb’s amazing home and studio. By the way

Tulips in Paula's Garden

when I grow up I want a studio like Barb’s.

You might wonder how I met these amazing women. It was in a workshop at Ghost Ranch, Paula’s workshop actually. I believe that it takes a special kind of person to jump on a plane and take a workshop in an unfamiliar city, and I have found that they make great friends. Making art together is a bonding and unforgettable experience, and it forges friendships quickly. Some amazing opportunities have come about through people I’ve met in workshops. Many of these folks have become my dearest friends, despite the fact that we frequently don’t live in the same city.  So if you’ve never ventured out of your town or area for a workshop, you might want to try it. You never know who you might meet and I promise it’ll change you.